Félicitations ! Ton soutien à bien été envoyé à l’auteur
Letter of Notes (A Letter from 1960)

Letter of Notes (A Letter from 1960)

Publié le 15 juin 2020 Mis à jour le 15 juin 2020 Bien-être
time 4 min
1
J'adore
0
Solidaire
0
Waouh
thumb 0 commentaire
lecture 163 lectures
1
réaction

Sur Panodyssey, tu peux lire 30 publications par mois sans être connecté. Profite encore de 29 articles à découvrir ce mois-ci.

Pour ne pas être limité, connecte-toi ou créé un compte en cliquant ci-dessous, c’est gratuit ! Se connecter

Letter of Notes (A Letter from 1960)

The fate is rather dynamic, than a static approach to life… It seems that fate changes with our actions and results in different consequences every single time. Self-Discovery to one’s inherent powers is undeniably a greatest gift one can find.

“In 1960, pioneering American artists Sol-LeWitt and Eva Hesse met for the first time and instantly clicked, quickly forming a strong, deep bond that would last for ten years and result in countless inspirational discussions and rich exchanges of ideas. Indeed, they remained incredibly close friends until May of 1970, at which point Hesse, still only 34 years of age, sadly passed away after being diagnosed with a brain tumor. In 1965, half-way through their relationship, Eva found herself facing a creative block during a period of self-doubt, and told Sol of her frustrating predicament. A few weeks later, Sol replied with the wonderful, invaluable letter of advice seen here.

Full transcript follows.

(Source: The Letters of Note book, courtesy of The LeWitt Estate / Artists Rights Society.)

Dear Eva,

It will be almost a month since you wrote to me and you have possibly forgotten your state of mind (I doubt it though). You seem the same as always, and being you, hate every minute of it. Don't! Learn to say "Mind You" to the world once in a while. You have every right to. Just stop thinking, worrying, looking over your shoulder, wondering, doubting, fearing, hurting, hoping for some easy way out, struggling, grasping, confusing, itching, scratching, mumbling, bumbling, grumbling, humbling, stumbling, numbling, rambling, gambling, tumbling, scumbling, scrambling, hitching, hatching, bitching, moaning, groaning, honing, boning, horse-shitting, hair-splitting, nit-picking, piss-trickling, nose sticking, ass-gouging, eyeball-poking, finger-pointing, alleyway-sneaking, long waiting, small stepping, evil-eyeing, back-scratching, searching, perching, besmirching, grinding, grinding, grinding away at yourself. Stop it and just

DO

From your description, and from what I know of your previous work and your ability; the work you are doing sounds very good "Drawing - clean - clear but crazy like machines, larger and bolder... real nonsense." That sounds fine, wonderful — real nonsense. Do more. More nonsensical, more crazy, more machines, whatever — make them abound with nonsense. Try and tickle something inside you, your "weird humor." You belong in the most secret part of you. Don't worry about cool, make your own uncool. Make your own, your own world. If you fear, make it work for you — draw & paint your fear & anxiety. And stop worrying about big, deep things such as "to decide on a purpose and way of life, a consistent approach to even some impossible end or even an imagined end." You must practice being stupid, dumb, unthinking, empty. Then you will be able to

DO

I have much confidence in you and even though you are tormenting yourself, the work you do is very good. Try to do some BAD work — the worst you can think of and see what happens but mainly relax and let everything go to hell — you are not responsible for the world — you are only responsible for your work — so DO IT. And don't think that your work has to conform to any preconceived form, idea or flavor. It can be anything you want it to be. But if life would be easier for you if you stopped working — then stop. Don't punish yourself. However, I think that it is so deeply engrained in you that it would be easier to

DO

It seems I do understand your attitude somewhat, anyway, because I go through a similar process every so often. I have an "Agonizing Reappraisal" of my work and change everything as much as possible — and hate everything I've done, and try to do something entirely different and better. Maybe that kind of process is necessary to me, pushing me on and on. The feeling that I can do better than that shit I just did. Maybe you need your agony to accomplish what you do. And maybe it goads you on to do better. But it is very painful I know. It would be better if you had the confidence just to do the stuff and not even think about it. Can't you leave the "world" and "ART" alone and also quit fondling your ego. I know that you (or anyone) can only work so much and the rest of the time you are left with your thoughts. But when you work or before your work you have to empty your mind and concentrate on what you are doing. After you do something it is done and that's that. After a while you can see some are better than others but also you can see what direction you are going. I'm sure you know all that. You also must know that you don't have to justify your work — not even to yourself. Well, you know I admire your work greatly and can't understand why you are so bothered by it. But you can see the next ones & I can't. You also must believe in your ability. I think you do. So try the most outrageous things you can — shock yourself. You have at your power the ability to do anything.

I would like to see your work and will have to be content to wait until Aug or Sept. I have seen photos of some of Tom's new things at Lucy's. They are very impressive — especially the ones with the more rigorous form; the simpler ones. I guess he'll send some more later on. Let me know how the shows are going and that kind of stuff.

My work has changed since you left and it is much better. I will be having a show May 4–29 at the Daniels Gallery 17 E 64th St (where Emmerich was), I wish you could be there. Much love to you both. Sol"

End of Transcript

Our self-commitment, therefore, must be to search for the strengths and weakness within. The force lies inside of us and strength to harness that power is also inherent. All we need to do is discover it, manipulate it and utilize it.

an inspiring quote from Lawrence Durrell “Our inventions mirror our secret wishes.”

We need to understand that the decision to act is vital, when it comes to achieving a lifelong desired objective. This provides us with the genuine talk of two entities decades ago, giving a glimpse on how some people can plunge into pessimism and the need for someone to enrich their will, so that they can live larger than life.

The ability to take a leap of faith and act is only affected by prolonged thinking and deeper levels of understanding. This notion is quite similar to a popular belief that imagination and curiosity are powerful than intelligence.

 

Courtesy: Letter of Notes (Transcript)

Author: Arsalan Qureshi

lecture 163 lectures
thumb 0 commentaire
1
réaction

Commentaire (0)

Tu aimes les publications Panodyssey ?
Soutiens leurs auteurs indépendants !

Prolonger le voyage dans l'univers Bien-être
Les creux de vague
Les creux de vague

Nous traversons tous des marées hautes et basses. Quand je suis au creux de la vague,...

Aldo Franco
1 min
Projeter
Projeter

Difficile de mettre en titre le mot d'"éjaculer", mais c'est bien de ça qu'il s'agite...

Bernard Ducosson
1 min
Estime
Estime

Un mot d'un dictionnaire, ma définition, v...

Bernard Ducosson
1 min
Sagesse
Sagesse

Un mot d'un dictionnaire, ma définition, vôtre sourire, ma joie.

Bernard Ducosson
1 min

donate Tu peux soutenir les auteurs qui te tiennent à coeur